By Hanoch Levin; Directed by Ari Folman

Set Design and Illustrations for Video Art: David Polonsky; Costume Design: Orna Smorgonski; Original Music: Efrat Ben Zur; Musical Production: Efrat Ben Zur and Omer Hersmen; Movement: Andrea Constanza Martini; Lighting Design: Nadav Barnea; Video Design: Yoav Cohen; Animation and Compositing: Ram Shahaf

In this play by Hanoch Levin, a king torments himself repeatedly by reenacting the rituals that accompanied his son’s death from an illness. The stage is influenced by early German films, and is styled in black and white with animated elements that change the landscape and the atmosphere, creating a unique interaction with the actors. The design of the characters also corresponds with this cinematic genre, but their acting ranges from compassion to brutal indifference. Efrat Ben Zur composed the music, which she performs with musicians on stage. The overall effect is a chilling and frightening world of wonder.
In the best of Levinic tradition – the play follows surprising paths into the depths of the soul and the illusions of imagination. It is an unmatched experience, yet so relevant to our daily lives. Hanoch Levin called the play a “whining comedy,” but perhaps it’s more appropriate to call it a tragic comedy, or maybe a human tragedy, in which Levin mixes, as he does, the tragic with the comic, the terrible with the everyday and banal.




Hanoch Levin was born in Tel Aviv on 18 December 1943, and died of cancer on 18 August 1999. He wrote plays, sketches, songs, stories, and poetry, and also directed most of his own plays. In his work as a playwright and stage director, he developed a unique dramatic and theatrical language, created by combining poetic written text with images designed with the actors, the set, costume and lighting designers, the composer, and the choreographer. His plays are characterized by his ability to combine the work of different artists, and have always been a celebration of words and visual images, based on a great love for the theatre and all who take part in the performance.
Levin left a spiritual-artistic legacy, which includes 56 plays (except for his political satires, only 33 of his plays were performed in his lifetime), two books of prose, two collections of sketches and songs, a book of poems, and two books for children.


Ari Folman is a film and television director. Filmography (highlights): The Congress (2013), writer, director, and producer. The film opened the Directors’ Fortnight in Cannes, and received the European Film Academy Award for Animated Feature Film. It won ten other awards around the world; Waltz with Bashir (2008), writer, director, and producer. The film was nominated for an Academy Award for Best Foreign Language Film, won the Golden Globe Award in that category, received the César Award, and participated in Festival de Cannes, as well as winning six Israeli Academy Awards; The Material That Love Is Made Of (2004), writer, director, and producer; Made In (2001), writer and director. The film received two Israeli Academy Awards; Saint Clara (1996), co-director and writer. The film won seven Israeli Academy Awards, including for Best Director and Best Picture. It won the jury prize at the Karlovy Vary Festival, and opened the Panorama at the Berlinale Film Festival; Comfortably Numb (1991), co-director and writer.
Television (highlights): In Treatment (2005), writer, three episodes, won the Israeli Academy Award for Best Documentary Series (2006); On Any Saturday (2005-2009), writer, sixteen episodes, won the Israeli Academy Award for Best Television Series (2008); Saturdays and Holidays (2000-2004), writer, thirteen episodes; 20 short documentaries for Channel 2, director (1993-2000).