This performance piece proposes various light compositions in the theatre space; illuminating the space, its details, and the illuminating frame in itself: the space, the contained objects and the light produce each other mutually. The piece explores how viewing a familiar environment, object, or person can change and become really seen through a new framing. By taking an observers’ position, viewing our own observation, we might create a clearing, an opening in which we can become aware of “how we see, what we see”. By seeing, we are able to study sight in itself, and at the same time gain a critical distance to what we thought we already knew.