{"id":3162,"date":"2024-11-30T15:11:11","date_gmt":"2024-11-30T13:11:11","guid":{"rendered":"https:\/\/exposure.dramaisrael.org\/?p=3162"},"modified":"2025-01-15T23:47:04","modified_gmt":"2025-01-15T21:47:04","slug":"a-private-meeting","status":"publish","type":"post","link":"https:\/\/exposure.dramaisrael.org\/2024\/a-private-meeting\/","title":{"rendered":"A Private Meeting"},"content":{"rendered":"<p class=\"p1\">The play describes a private acting class given by a well-known teacher to a young student. The encounter slips in and out of crossing professional and personal boundaries.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">The story is based on the method of a well-known Israeli theatre director, teacher, and artistic director. The show presents in a hyper-realistic way how the teacher invades the student\u2019s soul, using her yearning for recognition and success, thus causing her to commit acts that go beyond her free will.<\/p>\n<p class=\"p1\">The choice of performance space is site-specific and not coincidental, as this is the actual space where these private meetings originally took place. This is a story about art and the fine, almost invisible, line between the legitimate and the illicit.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/1037974161?h=69902d51a0&amp;dnt=1&amp;app_id=122963\" width=\"728\" height=\"410\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media\"><\/iframe><\/p>\n<p class=\"p1\"><b>Maya Koren <\/b>is a graduate of the Sam Spiegel Film and Television School\u2019s Screenwriting Department (2022), and ERACM \u2013 \u00c9cole regionale d\u2019acteurs de Cannes et Marseille (2019), where she studied acting. She worked with Laurent Brethome, Gerard Watkins, Guillaume Severac, Jeanne Sarah Deldicq, and Aurelien Desclozeaux. In 2017, she graduated from Nissan Nativ Acting Studio. She participated in a screenwriting workshop led by Asaf Zippor (2023), a playwriting workshop led by Roy Maliach Reshef (2020), and others.<\/p>\n<p class=\"p1\">She wrote <i>The Teacher<\/i> \u2013 a series currently in development with production company Endemol Shine. Winner of the Award for Best Script for a TV Series from YES TV.<\/p>\n<p class=\"p1\">She teaches acting at the Cameri Theatre\u2019s New Generation Group, and at The Studio led by Gal Amitai.<\/p>\n<p class=\"p1\"><b>Yael Goldberg Shimoni <\/b>is a theatre director.<b> <\/b>She graduated from Tel Aviv University \u2013 Theatre Directing and Communal Theatre (2010). She directed <i>Bomb Shelter Stories<\/i> (Habima National Theatre, 2023), and <i>Amiram <\/i>(Acco Festival of Alternative Israeli Theatre, 2023; winner of the directing award); <i>Singing with Ariela<\/i> (Tzavta Theatre), <i>Problems in the Philosophy of Morals<\/i> (Habima National Theatre), <i>Gently<\/i> (Haifa Municipal Theatre), and <i>Not Funny<\/i> (Tzavta Theatre). Staged readings include, <i>Don\u2019t Tell Mama<\/i> by Noam Gil (Beit Lessin Theatre), and <i>My Wife<\/i> by Arnon Weiss (Cameri Theatre).<\/p>\n<p class=\"p1\">Yael was a teacher and director at Platforma \u2013 an activist theatre for women who suffer from violence, and a member of the Tzavta Fringe Theatre Artistic Committee.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/1045147323?h=5f43fc5cea&amp;dnt=1&amp;app_id=122963\" width=\"728\" height=\"410\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The play describes a private acting class given by a well-known teacher to a young student. The encounter slips in and out of crossing professional and personal boundaries.\u00a0 The story is based on the method of a well-known Israeli theatre director, teacher, and artistic director. The show presents in a hyper-realistic way how the teacher [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3234,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[16,36,24,13],"class_list":["post-3162","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-based-on-true-story","tag-short-play","tag-site-specific","tag-womens-power"],"_links":{"self":[{"href":"https:\/\/exposure.dramaisrael.org\/2024\/wp-json\/wp\/v2\/posts\/3162","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exposure.dramaisrael.org\/2024\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exposure.dramaisrael.org\/2024\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exposure.dramaisrael.org\/2024\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exposure.dramaisrael.org\/2024\/wp-json\/wp\/v2\/comments?post=3162"}],"version-history":[{"count":0,"href":"https:\/\/exposure.dramaisrael.org\/2024\/wp-json\/wp\/v2\/posts\/3162\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exposure.dramaisrael.org\/2024\/wp-json\/wp\/v2\/media\/3234"}],"wp:attachment":[{"href":"https:\/\/exposure.dramaisrael.org\/2024\/wp-json\/wp\/v2\/media?parent=3162"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exposure.dramaisrael.org\/2024\/wp-json\/wp\/v2\/categories?post=3162"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exposure.dramaisrael.org\/2024\/wp-json\/wp\/v2\/tags?post=3162"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}