{"id":2902,"date":"2023-10-03T20:18:52","date_gmt":"2023-10-03T17:18:52","guid":{"rendered":"http:\/\/exposure.dramaisrael.org\/?p=2902"},"modified":"2023-12-05T00:09:49","modified_gmt":"2023-12-04T22:09:49","slug":"a-view-of-the-sea","status":"publish","type":"post","link":"https:\/\/exposure.dramaisrael.org\/2023\/a-view-of-the-sea\/","title":{"rendered":"A View of the Sea"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">An optimistic refugee arrives in a country that\u2019s a complete nervous wreck, hoping to start a new, peaceful life. But in his efforts to fit in, he gets caught up in a series of unfortunate events. An abandoned baby lands in his lap, and the two set out on a journey of mutual growth that will teach them about life and its beauty.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This piece of physical theatre communicates solely through visual language, and demonstrates the power of silence. It explores the conflict between gentleness and violence, the clash between naivety and manipulation. The protagonist is an outsider, an artist who suddenly finds himself in the reality we all live in \u2013 an extremely dense, intensive, stressful, and sometimes absurd reality. He tries to connect with people and fit in, but struggles greatly because it is an aggressive society. Obviously, this sense of suffocation reaches a point where you no longer need to speak because there\u2019s nothing left to say. Anything you say sounds a bit clich\u00e9d, so maybe it\u2019s better not to say it but simply narrate it.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The show received a recommendation from the National Culture Basket\u2019s Theatre Repertoire Committee and the Israel Association of Community Centers.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><iframe src=\"https:\/\/player.vimeo.com\/video\/871202551?h=37a11c37ed&amp;dnt=1&amp;app_id=122963\" width=\"728\" height=\"410\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\"><\/iframe><\/p>\n<p><b>Shirili Deshe<\/b><span style=\"font-weight: 400;\"> For the past twenty years she has been acting, directing, and writing for the stage and television. She is a graduate of the Jacques Lecoq Physical Theatre School, Paris.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">At Haifa Municipal Theatre she created the show <\/span><i><span style=\"font-weight: 400;\">Goodbye and Not Au Revoir.<\/span><\/i><span style=\"font-weight: 400;\"> Directing credits also include <\/span><i><span style=\"font-weight: 400;\">Teibele and Her Demon<\/span><\/i><span style=\"font-weight: 400;\"> and<\/span><i><span style=\"font-weight: 400;\"> Grannies<\/span><\/i><span style=\"font-weight: 400;\"> at The Jerusalem Khan Theatre,<\/span><i><span style=\"font-weight: 400;\"> Zaza\u2019s Friends<\/span><\/i><span style=\"font-weight: 400;\"> (Best Director Award at Haifa International Children\u2019s Theatre Festival), <\/span><i><span style=\"font-weight: 400;\">Fatso<\/span><\/i><span style=\"font-weight: 400;\"> at The Cameri Theatre of Tel Aviv (recipient of the Millo Prize), and others.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For Orna Porat Children\u2019s Theatre she wrote and co-directed <\/span><i><span style=\"font-weight: 400;\">The Seven Dwarfs, A Sour Face<\/span><\/i><span style=\"font-weight: 400;\">, and<\/span><i><span style=\"font-weight: 400;\"> Two Are Better <\/span><\/i><span style=\"font-weight: 400;\">(winner of the ASSITEJ Award), among others.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Vitali Friedland<\/b><span style=\"font-weight: 400;\"> is a theatre and film director, photographer and a graduate of the Nissan Nativ Acting Studio. His film <\/span><i><span style=\"font-weight: 400;\">Lamps Lit on The Towpath<\/span><\/i><span style=\"font-weight: 400;\">, made in collaboration with Efim Graboy, was an award nominee at the Palm Springs Film Festival. His film <\/span><i><span style=\"font-weight: 400;\">Juices<\/span><\/i><span style=\"font-weight: 400;\"> was screened at the Cannes Film Festival, and he directed Donizetti\u2019s <\/span><i><span style=\"font-weight: 400;\">Rita<\/span><\/i><span style=\"font-weight: 400;\"> with the Israeli Chamber Opera Ashdod.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Television<\/span> <span style=\"font-weight: 400;\">credits include<\/span> <i><span style=\"font-weight: 400;\">Battle in Jerusalem<\/span><\/i><span style=\"font-weight: 400;\"> (Channel 1) and<\/span><i><span style=\"font-weight: 400;\"> The Little<\/span><\/i> <i><span style=\"font-weight: 400;\">Drummer Girl <\/span><\/i><span style=\"font-weight: 400;\">(2018) (BBC). Theatre credits: at Beit Lessin Theatre, <\/span><i><span style=\"font-weight: 400;\">The Revisionist <\/span><\/i><span style=\"font-weight: 400;\">and<\/span><i><span style=\"font-weight: 400;\"> Taming of the Shrew. <\/span><\/i><span style=\"font-weight: 400;\">At The Jerusalem<\/span> <span style=\"font-weight: 400;\">Khan Theatre,<\/span><i><span style=\"font-weight: 400;\"> Scapin the Schemer<\/span><\/i><span style=\"font-weight: 400;\">,<\/span><i><span style=\"font-weight: 400;\"> A Tale of Love and Darkness<\/span><\/i><span style=\"font-weight: 400;\">,<\/span><i><span style=\"font-weight: 400;\"> Teibele and Her Demon<\/span><\/i><span style=\"font-weight: 400;\">,<\/span><i><span style=\"font-weight: 400;\"> The Government Inspector<\/span><\/i><span style=\"font-weight: 400;\">,<\/span><i><span style=\"font-weight: 400;\"> Adieu Mr. Haffmann<\/span><\/i><span style=\"font-weight: 400;\">, and many more.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">*This production contains sounds of explosions and sirens.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>An optimistic refugee arrives in a country that\u2019s a complete nervous wreck, hoping to start a new, peaceful life. But in his efforts to fit in, he gets caught up in a series of unfortunate events. An abandoned baby lands in his lap, and the two set out on a journey of mutual growth that [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2919,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[20,5,19,31],"_links":{"self":[{"href":"https:\/\/exposure.dramaisrael.org\/2023\/wp-json\/wp\/v2\/posts\/2902"}],"collection":[{"href":"https:\/\/exposure.dramaisrael.org\/2023\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exposure.dramaisrael.org\/2023\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exposure.dramaisrael.org\/2023\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exposure.dramaisrael.org\/2023\/wp-json\/wp\/v2\/comments?post=2902"}],"version-history":[{"count":0,"href":"https:\/\/exposure.dramaisrael.org\/2023\/wp-json\/wp\/v2\/posts\/2902\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exposure.dramaisrael.org\/2023\/wp-json\/wp\/v2\/media\/2919"}],"wp:attachment":[{"href":"https:\/\/exposure.dramaisrael.org\/2023\/wp-json\/wp\/v2\/media?parent=2902"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exposure.dramaisrael.org\/2023\/wp-json\/wp\/v2\/categories?post=2902"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exposure.dramaisrael.org\/2023\/wp-json\/wp\/v2\/tags?post=2902"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}